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Not that that's a bad thing, of course, and it's not like I'll expect anything else from Haruki Murakami, but still. It was funny and sincere and thoughtful and for reasons I'm too lazy to ramble about reminded me of Salinger, but this was such a very, very weird book.

---

"I guess I've been waiting so long I'm looking for perfection."

"Waiting for the perfect love?"

"No, even I know better than that. I'm looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out of the window. That's what I'm looking for."

"I'm not sure that has anything to do with love," I said with some amazement.

"It does," she said. "You just don't know it. There are times in a girl's life when things like that are incredibly important."

"Things like throwing a strawberry shortcake out the window?"

"Exactly. And when I do it, I want the man to apologize to me. 'Now I see, Midori. What a fool I've been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I'll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?'"

"So then what?"

"So then I'd give him all the love he deserves for what he's done."

"Sounds crazy to me."

"Well, to me, that's what love is. Not that anyone can understand me, though." Midori gave her head a little shake against my shoulder. "For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn't begin at all."

---

"You know, when I entered the university, I joined a folk music club. I just wanted to sing songs. But the members were a pack of phonies. I get chills just thinking about them. The first thing they tell you when you enter the club is you have to read Marx. 'Prepare page so-and-so to such-and-such for next time.' Somebody lectured on how folk songs have to be deeply involved with society and the radical movement. So, what the hell, I went home and tried as hard as I could to read it, but I didn't understand a thing. It was worse than the subjunctive. I gave up after three pages. So I went to the next week's meeting like a good little scout and said I had read it but I couldn't understand it. From that point on they treated me like an idiot. I had no critical awareness of the class struggle, they said, I was a social cripple. I mean, this was serious. And all because I couldn't understand a piece of writing. Don't you think they were terrible?"

"Uh-huh," I said.

"And their so-called discussions were terrible, too. Everybody would use big words and pretend they knew what was going on. But I would ask questions whenever I didn't understand something. 'What is this imperialist exploitation stuff you're talking about? Is it connected somehow to the East India Company?' 'Does smashing the educational-industrial complex mean we're not supposed to work for a company after we graduate from college?' And stuff like that. But nobody was willing to explain anything to me. Far from it- they got mad at me. Can you believe it?"

"Yeah, I can," I said.

"One guy yelled at me, 'You stupid bitch, how do you live like that with nothing in your brain?' Well, that did it as far as I was concerned. I wasn't going to put up with it. O.K., so I'm not so smart. I'm working class. But it's the working class that keeps the world running, and it's the working class that gets exploited. What the hell kind of revolution have you got just tossing out big words that working-class people can't understand? What the hell kind of social revolution is that? I mean, I'd like to make the world a better place, too. If somebody's really being exploited, we've got to put a stop to it. That's what I believe, and that's why I ask questions."

...

"That does it for me, then. I'm not going to believe in any damned revolution. Love is all I'm going to believe in."

"Peace," I said.

"Peace," said Midori.

---

"Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little crazy, but I'm a good kid, and honest, and I work hard, I'm kinda cute, I've got nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me I'm gonna end up going somewhere else."

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